Showing posts with label Ross Brandon. Show all posts
Showing posts with label Ross Brandon. Show all posts

Saturday, September 10, 2011

Cassandra Wilson: Blue Light Till Dawn (1993)








Cassandra Wilson has steadfastly refused to be pigeonholed or confined to any stylistic formula. Her highly anticipated Blue Note debut may stir renewed controversy, as she is once again all over the place. She begins the set with her intriguing version of "You Don't Know What Love Is." Then she moves from two Robert Johnson covers ("Come on in My Kitchen" and "Hellhound on My Trail") through rock compositions from Van Morrison and Joni Mitchell, her own title track, blues cut "Redbone," and a piercing version of "I Can't Stand the Rain" that can hold up to comparisons with Ann Peebles' classic. She doesn't have Johnson's menacing quality (who does?), but does invoke an equally compelling air. Wilson has great timing, pacing, and delivery, and certainly has blues sensibility in her sound.

Cassandra Wilson is a postmodern jazz singer, a conceptualist who sees no dividing lines between genres. If her career had commenced in the 1970s rather than the label-conscious 1990s she would have been marketed as a mainstream pop diva. Her magnificent voice and interpretive genius mark her as a jazz singer for the ages, however. She finds her material wherever her fancy takes her and remakes it in her own image, whether it be the country blues of Robert Johnson's "Come On in My Kitchen" and "Hellhound On My Trail," the soul of Ann Peebles's "I Can't Stand the Rain," the elegant R&B of Charles Brown's "Tell Me You'll Wait for Me," the melodic pop of Joni Mitchell's "Black Crow," and Van Morrison's "Tupelo Honey," or her own "Redbone"--and the title track, accompanied by steel guitarist Gib Wharton. --John Swenson

Track listing

"You Don't Know What Love Is" (Gene DePaul, Don Raye) — 6:05
"Come On In My Kitchen" (Robert Johnson) — 4:53
"Tell Me You'll Wait For Me" (Charles Brown, Oscar Moore) — 4:48
"Children Of The Night" (Thom Bell, Linda Creed) — 5:19
"Hellhound on My Trail" (Johnson) — 4:34
"Black Crow" (Joni Mitchell) — 4:38
"Sankofa" (Cassandra Wilson) — 2:02
"Estrellas" (Cyro Baptista) — 1:59
"Redbone" (Wilson) — 5:35
"Tupelo Honey" (Van Morrison) — 5:36
"Blue Light 'til Dawn" (Wilson) — 5:09
"I Can't Stand the Rain" (Don Bryant, Bernard Miller, Ann Peebles) — 5:27

Personnel

Cassandra Wilson – vocal
Olu Dara – cornet
Don Byron – clarinet
Charlie Burnham – violin, mandocello
Tony Cedras – accordion
Brandon Ross, Chris Whitley – guitar
Gib Wharton – pedal steel guitar
Kenny Davis, Lonnie Plaxico – bass
Lance Carter, Kevin Johnson, Bill McClellan, Jeff Haynes, Cyro Baptista, Cyro – percussion

Tuesday, February 8, 2011

Cassandra Wilson: New Moon Daughter (1995)




CASSANDRA WILSON
 New Moon Daughter (1995)

1. Strange Fruit    5:35  
l2. Love Is Blindness    4:56
3. Solomon Sang    5:56  
l4. Death Letter    4:13
5. Skylark    4:08  
 6. Find Him    4:39  
7. I'm So Lonesome I Could Cry    4:51  
8. Last Train To Clarksville    5:16  
 9. Until    6:30  
10. A Little Warm Death    5:45  
11. Memphis    5:05  
12. Harvest Moon  5:01

Personnel

    * Cassandra Wilson – vocals, acoustic guitar
    * Cyro Baptista – percussion, Jew's-Harp, shaker
    * Dougie Bowne – percussion, drums, whistle, vibraphone
    * Gary Breit – Hammond organ
    * Kevin Breit – acoustic & electric guitar, banjo, bouzouki
    * Brandon Ross – acoustic & electric guitar
    * Charles Burnham – violin
    * Tony Cedras– accordion
    * Graham Haynes – cornet
    * Lawrence "Butch" Morris – cornet
    * Jeff Haynes – percussion, bongos
    * Peepers – background vocals
    * Mark Peterson – bass
    * Lonnie Plaxico – bass
    * Gib Wharton – pedal steel guitar
    * Chris Whitley – guitar on 1


Amazon.com essential recording
Her luscious alto has the depth and texture of a great tenor saxophonist, but Cassandra Wilson's defining asset is a postmodern song sense that enables her to surf through Son House, Neil Young, Johnny Mercer, Billie Holiday, and (gasp!) the Monkees in pursuit of strong songs that can provide that instrument with a canvas. Her second Blue Note album extends Wilson's seductive pilgrimage beyond the conventions of jazz repertoire and accompaniment, yet it's her instincts as a jazz singer that inform these brilliant readings. The settings again step away from traditional small group jazz (for starters, there's no piano) to evoke the emotional core of these songs. Anyone who can turn the Monkees' "Last Train to Clarksville" into a slow-burning erotic vignette deserves your attention. --Sam Sutherland
From Jazziz
If any one vocalist embodies the skills, styles, and creativity of the 21st-century jazz singer, it is Cassandra Wilson. Early on, Wilson aspired to sound like Betty Carter - "to be Betty," she said in a 1996 JAZZIZ interview. But Carter implored Wilson to find her own way, and that she's done. Building upon the legacies of Carter and many other standard-bearing singers, yet focusing on her own personal influences, Wilson has achieved astonishing popular and critical success.